Red, White & Royal Blue: A Predictable and Clichéd Adaptation
Introduction
Australian audiences have eagerly awaited the release of Amazon Prime Video’s adaptation of Casey McQuiston’s LGBTQ+ romance novel, Red, White & Royal Blue. However, Louis Staples, in his review of the film, expresses disappointment in its predictability and clichés. Staples argues that the best romantic comedies challenge our notions of realism and plausibility, but unfortunately, Red, White & Royal Blue fails to deliver on this front.
A Predictable Romcom Formula
Staples begins by noting that the film adheres to the predictable formula of a romantic comedy. From the start, it becomes evident that the film’s aesthetic and tone mirror those of a big-budget Hallmark movie. The stereotypes are regrettably present – British people are portrayed as uptight, while Americans are depicted as loud and obnoxious. It is disappointing to see such predictable tropes being relied upon, even for a genre that often embraces formulaic storytelling.
Limited Representation
The recent trend of LGBTQ+ relationships in romcoms has sparked a debate about the kind of representation queer audiences desire. Staples acknowledges that Red, White & Royal Blue does not aim to revolutionize queer storytelling. While the film explores the shared experience of coming out, the characters navigate their journey within specific and privileged circumstances, making it difficult for them to represent the broader queer community.
Struggles with Royalty and Politics
Staples also criticizes the film’s portrayal of fictional royalty and its attempts to delve into the political landscape. The script leans heavily into the real-life story of Prince Harry and Meghan Markle, which feels out of place and disjointed. The dialogue between the British characters lacks depth and resorts to wooden and humorless caricatures. Even Stephen Fry, the UK’s fictional king, cannot elevate the flawed script.
Moments of Entertainment and Missed Opportunities
Despite its flaws, Staples acknowledges that there are moments in Red, White & Royal Blue that entertain. The film is at its best when it embraces more eccentric moments that arise from its unusual circumstances. Furthermore, there are subplots, such as the outing of the couple by a jealous gay journalist, that could have been explored further, adding depth and intrigue to the story.
American vs. British Rivalry
Staples suggests that the initial rivalry between the prince and the first son is the most enjoyable aspect of the film. However, their conflict is resolved too quickly, and the exploration of the differences between Alex defining as bisexual and Henry as gay could have added depth and humor to their relationship.
Staples places Red, White & Royal Blue in an awkward position on the romcom spectrum. It lacks the charm and cultural impact of classics like 2001’s The Princess Diaries. Additionally, it falls short of being a “so bad it’s good” guilty pleasure or a memorable, thought-provoking romcom. The film fails to make astute observations about romance, privilege, or being LGBTQ+, leaving the audience with a rather forgettable viewing experience.
Managing Expectations
Staples concludes by cautioning viewers that their enjoyment of Red, White & Royal Blue will depend on their expectations. If one is merely seeking a film filled with beautiful men and surface-level entertainment, it might suffice. However, those hoping for a romcom that offers genuine humor and insightful commentary on relationships will likely be disappointed.
In conclusion, Red, White & Royal Blue fails to live up to expectations with its predictable plot, reliance on clichés, and missed opportunities for deeper exploration. While the film may provide moments of entertainment, it falls short of becoming a noteworthy addition to the romcom genre.
<< photo by Johnny Cohen >>
The image is for illustrative purposes only and does not depict the actual situation.
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